![]() The first 6 Creative Dialogues were held at Acequia Madre House, Santa Fe, NM. The Sibelius Academy, the music university of Finland invites many of the most prestigious Universities and Conservatories in North America and Europe to send students to the Creative Dialogue. Apart from the immediate personal relations that result from such a dialogue, it will lead to a deeper understanding of how composer-performer friendships have affected the history of music. Performers and composers often study in the same institutions, but are seldom encouraged to find out how much they can to learn from each other. The ambition of the Creative Dialogue is to inspire young performers and composers to engage in a dialogue that benefits not only the two parties but the music life in general. All the pieces worked during the Creative Dialogue will be played at the final concert at the Musiikkitalo, Helsinki on the 8th of July.Īnssi Karttunen, Kaija Saariaho and Magnus Lindberg conceived Creative Dialogue together with Sibelius-Academy in 2007. All participants will also take part in improvisation workshops. Composers will write pieces for strings and kantele which will be finished and rehearsed during the workshop, instrumentalists play repertoire pieces by Julian Anderson. 4 composers, 4 Kantele players and 6 string players from around the world will come together with the British composer Julian Anderson, Finnish cellist Anssi Karttunen and Finnish Kantele player Eija Kankaanranta. Soon the publisher combined these seven pieces with Piatti's (excluding his Ariosti works CL 7-11)and de Swert's in a series entitled Sonates Classiques pour Violoncelle.In 2023 Creative Dialogue XIV will take place in Kallio-Kuninkala, Järvenpää, Finland 29.6. The title page is attached to the Handel G major sonata (HWV 363b), shown below. These were combined in one volume entitled Bearbeitungen Klassischer Werke fur Violoncello mit Pianoforte. Schott published his arrangements of Marcello (4 sonatas, later CL 60 and 61) as Moffat's Op.18 (the practice of the time) in 1890, and then Handel, (3 sonatas originally for oboe, later CL 57-59) as Op.19 the following year. The next set of arrangements to appear was that of Alfred Moffat (1866–1950), a Scot who was active in Germany until the First World War, and the youngest arranger at that time. In addition he published 22 short Baroque pieces, mainly Bach movements, in Alte Violoncellmusik (1871-72) listed in Hofmeister's Monatsbericht (1871), p.133, and Hofmeister's Monatsbericht (1871), p.141 The last 8 suites ( Hofmeister's Monatsbericht (1880), p.144) were complete authentic sonatas, and only appeared in the Cello Library. As with Piatti, some of the suites consisted of movements from various composers. Later the six Ariosti sonatas were added to Dessauer's viola arrangements (ca 1900) from the Alard Les Maîtres classiques du violon series, and issued as Klassische Sonaten ca.1930.ĭe Swert's arrangements appeared between 18, and finally were collected as 12 suites with the title Collection de Morceaux Choisis des Maîtres Classiques. They were collected as Oeuvres Classiques from 1894. ![]() ![]() Piatti's arrangements were initially published separately, starting with a Boccherini sonata in 1865 ( Hofmeister's Monatsbericht (1865), p.201). Piatti and Dessauer's Classische Sonaten Collection ca.1930 ![]() These were brought together in a single series, with a total of over 60 works. It consists of several collections of Baroque sonatas by four main editors which had been published between 18. This series was assembled over a period of 70 years, but the name seems to have been coined in 1919. Streichorchester (oder Streichquartett)Ĭoncerto a-Moll (PV 24 - F.III.4) für Violoncello, Streichorchester und B. The Division Viol (Ground in E minor with 13 Divisions)ġ2 Allettamenti da Camera, Op.8 (Sonata X in E major)Ħ String Quintets, G.307-312 (Op.28) (Rondo)Ħ Cello Sonatas, Op.1 (Sonatas in G major and C major)ġ2 Cello Sonatas, Op.1 (No.10 in F ♯ minor) Schroeder Classical Augener edition Publishersġ2 Sonate da camera, Op.6 (Sonata in D major)
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